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Team would have preferred to enter all 2010 projects based on brand design



Limiting the number of entries for the International Sign Contest is always one of the most challenging tasks of the year for The Sign Factory Team. After an exhaustive and intensive review, the team has chosen several client projects to be entered into the competition managed by Signs of the Times Magazine Senior Associate Editor Steve Aust.

“It was such a great year for our clients in terms of collaborating with the TSF team to design and
create unique brand environments,” said Jim Risher, President, The Sign Factory. “It was extremely difficult to choose. In the end, we were compelled to highlight some of the projects in the areas of Sports and Entertainment, Restaurants’, Public Works and Retail.”

Showare

 ShoWare Center, Kent, WA

This sign follows the aesthetic standard set by the building architecture and allows the center to use cutting-edge technology to promote their venue and entertainment calendar.

 

 

ChangChang Thai Cuisine, North Bend, WA

This sign is a new Icon in downtown North Bend. This classic sign was designed using old school neon techniques featuring our in-house expert Shellee Miggins.

 

 

Sunset Alehouse

Sunset Ale House, Issaquah, WA

This sign features a unique LED sunset lightingeffect.

 

 

 

TablasTablas Woodstone Taverna, Mill Creek, WA

This sign combines interesting halo-lighting effects and faux finish custom painting.

 

 

 

Firstation

Kirkland Fire Department, Kirkland, WA

These Electronic Message Centers mounted on pylons provide a new consistent look for the Fire stations that is contemporary and fresh yet understated.

 

 

Swedish Automotive

Swedish Automotive, Seattle, WA

These signs feature a clean and contemporary use of the clients’ highly recognized logo.

 

 

Winners will be announced in the April 2011 issue of Signs of the Times Magazine

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Puget Sound Business Journal (Seattle) – by Greg Lamm Staff Writer

Jim Risher, president and owner of The Sign Factory USA in Kirkland, with the letter “P” that will be part of the new Paramount Theatre marquee in downtown Seattle. Photo Credit: Dan Schlatter, Puget Sound Business Journal

Jim Risher, president and owner of The Sign Factory USA in Kirkland, with the letter “P” that will be part of the new Paramount Theatre marquee in downtown Seattle. Photo Credit: Dan Schlatter, Puget Sound Business Journal

For years, The Sign Factory USA relied heavily on retailers such as Starbucks and Macy’s to hire it to design and build lighted store signs and other branding products. But when the recession hit and customers stopped spending, that business quickly dried up.

Like many companies facing lost revenue because of the economic slide, owner Jim Risher was faced with some options.

“I had a choice,” Risher said. “My choice was, OK, let’s cut staff and take the orders as they come. That’s a viable choice. But I didn’t make that choice.”

Instead, Risher decided to aggressively go after new customers for his Kirkland company.

In late 2009, he hired a business development person to help land work in the public sector. The company won a contract with King County Metro to design and build covered bus stop structures. This year, The Sign Factory will deliver 54 bus stop stations, under a contract that will bring in about $500,000 in revenue.

The Sign Factory also landed a contract to do gateway signage for Eastern Washington University in Cheney. The company also recently was hired to produce signs for four fire stations and a community center in Kirkland for a total of $91,000.

On the private-sector side, Risher focused on some areas that were growing, especially health care, where there was demand from dentists and chiropractors for signs.

He also went after banks. Given all the turmoil in that industry, Risher knew there was business to be had with banks seeking to rebrand. His new banking customers included Columbia Bank and Washington Federal. Seattle-based Washington Federal hired The Sign Factory to design and make energy-efficient signs as part of a new branding strategy for the bank’s more than 130 branches in Washington and seven other states.

The result is that Risher’s 17-year-old company (owned with his wife, Sabrina) is growing and hiring.

The company is planning to add manufacturing and office space to its 11,000-square-foot facility in Kirkland. Revenue in 2009 was about $2.5 million. This year, Risher projects revenue will double to about $5 million.

The company has about 40 employees. And that doesn’t include the 10 people hired this spring for an in-house design team called the Brand Forward Group.

This year, between the sign business and the design entity, Risher said he expects to hire about 10 more people, which is a direct result of hustling to open up new opportunities for his business.

The Brand Forward Group, which includes a team of architects, designers and project managers, worked this year with ING Direct and the Seattle Mariners to produce the neon-lit “Hit it Here” sign at Safeco Field. The work also included doing the space planning and interior design of the 5,600-square-foot ING Direct Hit it Here Cafe on the stadium’s right-field terrace level.

The Sign Factory has had other high-profile jobs recently, including one with Seattle’s historic Paramount Theatre.

That was a job that entailed thousands of hours of work, including sending workers to the site to take copious measurements and make drawings and rubbings to help Risher’s company replicate the 80-plus-year-old sign that had deteriorated beyond restoration.

Shellee Miggins bends a glass tube into a letter "R" for the new marquee on Seattle’s Paramount Theater. She has made neon signs for 22 years. Justin Jensen, at right, also works on the Paramount sign.

Shellee Miggins bends a glass tube into a letter "R" for the new marquee on Seattle’s Paramount Theater. She has made neon signs for 22 years. Justin Jensen, at right, also works on the Paramount sign.

While other companies have outsourced manufacturing or moved it offshore, Risher said his manufacturing facility in Kirkland is an asset in landing new business.

The Sign Factory is a testing facility for manufacturers such as 3M and General Electric, which helps keep Risher up to speed on the latest technology, including the energy efficiencies of LED lighting.

The company’s manufacturing facility also includes one of the industry’s few remaining neon sign shops, complete with crafts people who blow the glass for the gas-lit, tubular signs that are still popular as cove lighting and signage in many shops and restaurants looking for 360-degree ambient lighting.

Risher’s Kirkland manufacturing facility was a real asset in landing the work with Washington Federal, which is known for being a conservative bank not prone to expensive rebranding initiatives.

In addition to attending bank board meetings and doing a prototype rebranding of a branch in Redmond for bank officials to see, Risher also was able to show Washington Federal full-sized mock-ups at The Sign Factory’s local shop.

The Washington Federal work, along with the public sector work and jobs at Safeco Field and in health care, all helped Risher grow his revenue and avoid laying off workers even though some of his core clients stopped spending money.

“We needed to go where the work is,” said Risher. “We just didn’t sit here and wait for them to come board up the shop.”

Lessons learned

Tips from Jim Risher for growing your business:

1. Be a student of your industry. Don’t be egotistical and think you know everything. Continue to learn about the latest innovations.

2. It’s the people of your company that make the difference, not the products.

3. Seek the open water. Pursue new customers, especially when current ones are drying up.

— GREG LAMM

greglamm@bizjournals.com | 206.876.5435

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Mercury Coffee and The Sign Factory USA scored a double victory by collaborating on a signage project that resulted in a very successful and recognizable brand while at the same time earning accolades from industry leading Signs of the Times Magazine. (See story below)

“Working together with owner Morgan Harris, we were able to re-invent the Mercury Coffee brand identity to be the one that stands out as the most recognizable versus the competition,” said Jim Risher, President, The Sign Factory USA. “We’re both pleased with the unique galvanized sheet metal look in stark contrast to the existing green multi colored brand logo. Kudos to our Shop Foreman Shawn Spencer, who led the effort to build the grain silo design for the company’s locations in the greater Seattle area.”

The Mercury Coffee project is a perfect example of a company that was unsatisfied with their vendor and seeking a fresh approach to their branding signage. For more information on how you can experience similar results,  call 1-800-585-2066.


Best of the Rest: The Sign Factory
The Seattle-based shop creates a high-energy, coffee-company sign.
By Steve Aust

3017_pzccwthesignfactorymercurys2Coordinating ST’s International Sign Contest annually provides one of my most enjoyable job duties. The opportunity to review hundreds of top-flight projects that arrive through the transom -mostly on our FTP server and via email – always delivers an exhilarating experience.

Given the quality of entries we receive, it’s always unfortunate that some very worthwhile signage doesn’t make the winners’ circle. But, just because an entry doesn’t earn recognition in the contest gallery, it may still appear on our pages. This month, we’ve culled through several submissions left in the field and compiled this gallery.
As they say, beauty is in the eye of the beholder. Maybe you’ll like some of the signage presented here more than those that earned glory in last month’s issue. In any event, ST proudly offers the “best of the rest.”

On this sign, I can certainly identify with the feeling of winged feet after downing a couple of cups of joe (although, after the caffeine crash, the wings transmute to anvils). The Sign Factory (Kirkland, WA) built the sign as a single-sided logo that comprises 0.050- and 0.080-in.

Originally Published in Signs of the Times

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A roundup of the contest’s near-misses

By Steve Aust

Coordinating ST’s International Sign Contest annually provides one of my most enjoyable job duties. The opportunity to review hundreds of top-flight projects that arrive through the transom –mostly on our FTP server and via email – always delivers an exhilarating experience.

Given the quality of entries we receive, it’s always unfortunate that some very worthwhile signage doesn’t make the winners’ circle. But, just because an entry doesn’t earn recognition in the contest gallery, it may still appear on our pages. This month, we’ve culled through several submissions left in the field and compiled this gallery.
As they say, beauty is in the eye of the beholder. Maybe you’ll like some of the signage presented here more than those that earned glory in last month’s issue. In any event, ST proudly offers the “best of the rest.”

Read The Full Article From Signs Of The Times Magazine

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